I started out in the noise of events and the chaos of hospitality, building experiences for other people. Somewhere between flights, backrooms, and after-hours setups, I realized what I really wanted was to create my own.

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Photography has been a constant thread through it all. I built pinhole cameras as a kid. Then I started experimenting with analog, which my OM-4 allowed me to bring back a timeless feel to my photography. It has been with me across countries and years, a small machine that’s seen everything from quiet streets at dawn to the noise of new cities. I use it to document the people, textures, and moments.

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Music is another way I tell stories. I’m drawn to sound that moves like a landscape; ambient, dub, drone, techno, trance, all different languages of emotion. For me, it’s less about genre and more about building space for people to get lost in.

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Design ties everything together. The same instinct that shapes a photograph or a track drives how I approach visuals and environments: simple, emotional, human.

Now I’m focused on blending these worlds, creating immersive experiences that merge sound, image, and space. My goal is to make people feel something real — not just see or hear it, but live inside it for a moment.

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Looking ahead, I’m focused on expanding my creative work within the events and experiential industries.